Imaginary ad for an imaginary exhibition, which I imagine to be in this sort of tiny imaginary small-town
gallery where menstrual art is still considered avant-garde so of course the shock card needs to be played.
I initially oversized the word “woman” to make up for lost contrast but then it lost the weirdly nice “fading-backward” effect
that I realized the perceived fragility gave it (only know you love her when you let her go eh? Since we’re quoting anyway)